Renown in Exile
As a work of scholarship, Exiles suffered from factual
errors and its author’s overt antislavery bias, yet its
overall framing of Black Seminole history, particularly in
relationship to American history, was accurate and
perceptive.
For all its errors, Exiles remains a fascinating and
visionary work of history. Despite his biases, or perhaps
because of them, Giddings the lawyer and politician
conscientiously built his case on careful citations of
government documents; the effect made his indictment of “the
crimes committed by our government against the maroons”
compelling, factual, and credible to readers who might
otherwise not have believed (then or now) that such events
took place. The citations pointed the way for all future
historians of the maroons. While Giddings got details wrong,
he accurately identified the key turning points in the Black
Seminole story through the 1850s, laying out a narrative
structure that has influenced all subsequent writing on the
community. Giddings’ central weakness as a
historian was that he viewed Black Seminole history almost
strictly through the lens of antislavery. Ultimately, this
weakness was also his strength: his constricted focus
limited his understanding of the maroons, but it captured the relationship of their
history to broader currents
in the American story. Only one other historian since
Giddings, Bruce Edward Twyman, has made a similar attempt to
place Black Seminole history within the wider context of
American history, particularly the political debates over
slavery.* The lack of contextual history has had the
unfortunate effect of relegating the maroons to the margins
of national consciousness, as though their story were
obscure and irrelevant, even though it was well known to
presidents and leading politicians of the early republic and
the maroons themselves were the country’s most successful
black freedom fighters prior to the Civil War.
Sources: ©
*See Twyman's The Black Seminole Legacy and North
American Politics, 1693-1845. Part 4, Freedom: l |